“The lead jab is a ‘feeler’. It is the basis of all other blows, a loose, easy stinger. It is a whip rather than a club. Ali’s theory is to picture hitting a fly with a swatter”
Bruce Lee, Tao of Jeet Kune Do.
Yamaguchi was the legendary and colorful early 20th century karate master who founded the All Japan Karate-dō Gōjū-kai Karate-dō Association (which later split into the JKF Gojukai and the J.K.G.A.).
But it was Shuji Tasaki Shihan, founder of Seiwakai, who well known as Gogen Yamaguchi’s most competent fighter having proven himself in the very first All Japan Karate-do Gojukai Championships in 1963 which was basically a day’s competition of knock-out, knock down, break bone and finish them matches. Having earned the cup for first place it set him as a target to be dealt with in the Dojo.
Karate-do was born combining kakutojutsu [fighting martial arts], which had been studied in Okinawa 500 years ago, and kempo, which was introduced from China. As you can see in many countries, fighting martial arts have been handed down in each country. Some remain a national sport and others remain just a sport among others.
In Okinawa, for a long time, using any kinds of weapons was prohibited because of a policy of prohibiting weapons. For that reason, they had to invent toshukuken, the way to fight without a weapon. This was especially true in the beginning of the 17th century since it was thought that fighting martial arts, referring to Chinese kempo, was invented among Ryukyu [Okinawa] samurai because their weapons were banned. In Okinawa, before it was called karate, it had two names, one was Naha-te and the other was Shuri-te.
These are the names of regions. The source of present day styles are these two te. Naha-te was invented by Tono [Higaonna] Kanryo Shihan, who went to Fuku-ken-sho [also Fuken-sho, Fujian Province] in China and learned Chinese kempo, which was combined with Naha-te and named Shorei-ryu.
Shuri-te was represented by Matsumura Soken Shihan. It has been separated as Matsu-Toukan-ryu, Shito-ryu, and Wado-ryu. The history of Goju-ryu begins with Miyagi Chojun Shihan who is an unparalleled saint [fuseishutsu no kensei].
Miyagi Shihan was born in Meiji era 20  to a famous house in Naha, Okinawa. He had practiced karate since he was 14-years old with Tono Kanryo Shihan. In Meiji 36 , when he was 16 years old, he was ordered to go to Fuku-ken-sho, China, and practiced Chinese kempo.
In China, Miyagi received rough and strict training. At the same time he studied theory from old books. After he came back from China, he compared Chinese kempo and Okinawa-te. Miyagi adopted his unique and effective way of breathing, which he called ikibuki [also ibuki], a way of preliminary exercise that is necessary for mastering karate-do. Ikibuki is also a supportive scientific exercise that is related to the structure of the body and its movement.
After that, Miyagi continued studying and reorganized both Chinese kempo and Okinawa-te’s merits and added his own ideas. This is how Goju-ryu was born. Goju-ryu’s name was extracted from the Bubishi, a Chinese documentary record.
One of eight Kyo phrases (precepts of Chinese martial arts) in the Bubishi (the once secret White Crane and Monk Fist Boxing text owned by many Okinawan karate masters) is called “Hogoju.” Because it means “the method of absorbing and releasing hard [go] and soft [ju],” the style was named Goju-ryu. Miyagi taught karate at an Okinawan police training school, a Naha public business school, an Okinawan teachers’ school, and an Okinawan health centre. In Showa 4 , Miyagi was invited by a karate club at Kyoto University and by Kansai University, with honor, to become an advising teacher. He was then invited to teach permanently by Ritsumeikan University. Over time, Miyagi spread his methods throughout Japan and took the initiative of Goju-ryu.
By that time, the author of this book was recognized by Miyagi Shihan and was left the responsibility of spreading Miyagi’s method of guidance, creating a family of Goju-ryu, and organizing the All-Japan Karate-do Goju Association. Moreover, Miyagi Shihan was invited to Hawaii by a newspaper company, where he taught karate for one year and contributed to Goju-ryu karate-do in and outside of Japan. After World War II, Miyagi went back to Okinawa and quietly worked for the civil administration as a physical education coach. In October of Showa 28 , he passed away.
Fundamental Idea of Goju-Ryu Karate-Do
Goju-ryu karate-do is composed of Yo [Yang], which is positive; and In [Yin], which is negative, as the ideographs [kanji] “Go” and “Ju” indicate. This is why the fundamental idea is so unique and has beauty. The eternal life of the universe develops with positive and negative working together. This is the same for the lives of humans. Life has Yo and In, or Go and Ju, both sides for all our lives, sometimes connected by becoming the will and harmony. The ancients who chose karate as a means of fighting endured their strict and rough practice to protect themselves and to win.
You can see that Goju-ryu is still keeping a primitive form for actual fighting when you practice the Sanchin and Tensho kata, which represent Go and Ju. In Sanchin, you make the whole body, all the nerves, etc. extremely tense and do not let your guard down even for a moment. On the other hand, in Tensho, you do not show a gush of fighting spirit, you keep it inside your body and wait for a chance to use it. As a result, Tensho draws a gentle curve and flows. The techniques of Goju-ryu use its own unique method of breathing, which is called ikibuki. The technique can be changed from Go to Ju or Ju to Go; and while you move without distraction, you still go along with the movements of the opponent. If the opponent comes by Go, you respond with Ju and restrain him. If the opponent comes by Ju, you use Go and temper him. Ikibuki is the way of breathing that controls conscious breathing from ordinary unconscious breathing. You go with the movement and breathing of the opponent and lead your physical condition to most advantageous situation. It is useful for concentrating your muscles and mind.
Goju-ryu has many postures that use the names of animals, like the cat, dog, crane, tiger, and dragon. In ikibuki, you imagine that a lion is roaring. When animals stand ready to fight, they are on their guard and all their power is concentrated for fighting. That form does not have anxiety or fear. They are just thinking about defeating the enemy. There is no desire of self-gratification and no dishonesty. You can say that they are desperate. The reason that the color of the old budo is very strong in modern budo is that we see the importance in the forms and the ikibuki of these animals. These aspects are the original aspects of Go, however, it is not perfect to emphasize the aspect of Go, in other words, the height of the form. If a strife of Go is one side, there has to be Ju on the other that avoids strife. That is how character building can be accomplished by Goju-ryu.
In the future, karate-do should not be a technique to defeat humans. When it gives an edge to others and yourself, then initially, it becomes a precept as Do and practice becomes valuable. In modern times, there is a method of instruction and a way of studying karate-do as a sport, but I do not know how the readers interpret karate-do, as a budo or just a sport in common with the West. Certainly, you can think that there is no difference from other sports when you refer to the rules of the game. Also, the main purpose of sports is to train the mind and body at the same time. It applies to budo as well. Yet, it is difficult to say that the many events that have been invented in the West are simply sport and that only Japanese ancient grappling games are called budo. Presently, there are Olympic games and many kinds of events. Judo, kendo, and karate-do have been introduced as sports. Their sporting elements are emphasized and introduced by many people and have also been reformed to become a sport. Still, there will be a big difference in the mental attitudes between people who practice karate as a sport and as a budo. This is because our society is formed into many organizations, sometimes in a family, school, or workshop. In these societies, the purpose of sports is to make healthy minds and bodies, to bring together a sense of cooperation to make a member of society adapt to this human society. Moreover, it promotes the improvement of a member of society. By having characteristics common to all by sports, the events are used to encourage making peace in the world.
What about budo? Budo did not originate in a peaceful atmosphere. It was necessary to protect one’s life at the time, and to learn how to use budo as a weapon and achieve one’s responsibility as a warrior. It was the warrior’s duty to develop spirit. This rule was established in the hierarchy. It was the theory of a warrior to desire winning a war.
Modern budo is not the extension of ancient budo. Right now, there is no hierarchy like in samurai society. Society does not force you to destroy human life; however, one of the conceptions of ancient budo is skill inherited in modern budo. Before, warriors practiced budo and respected it as Do, suffering, and facing death. In spite of the fact that death is the destiny of all human beings, the idea of death is dreadful. I do not doubt that the ancient budo philosophy was resisted by human beings facing death and yet also the way of character building to learn to overcome death. For a living thing, instead of knowing that life is the most precious thing, death was the naught. As a result of putting oneself in the naught, they could ignore their fear of death.
In the ancient budo book, Hagakure, it is written that budo is death. In these words, you can find the spirit of budo, which is superior to death. In other words, an object of the fear of death is neither others, nor weapons — it is oneself. As a result, it was necessary to obtain a technique to protect oneself and one had to have a strong spirit to correspond to that. When one could overcome a conception of death, there was an improvement of a human being as a samurai. When it was developed, karate-do was used in place of weapons and studied that way so that the spirit of the samurai was needed at the beginning of its conception to learn karate. Now there are rules, but the techniques and elements have not changed.
The goal of many sports is competition; however, there is a sense of entertainment or hobby. On the other hand, karate is the fight against one’s self without having an object. In sports, records are saved and defeating these records becomes the success. They are introduced to many people as a means of character building and harmonizing mankind, and they are kept. In karate-do, there is nothing to be recorded. The more superior is judged by the technique used. Now, karate is the battle against one’s self and a means of the way of one’s life not to defeat others or to die. This solitary fight is to know one’s own spirit and the desire to the naught that is superior to the limitation of the body. If one’s aspiration is a formal victory or defeat, that is just a stage of learning techniques, not a faith of kyo or mu. As an author, I also studied Yoga and Shinto to seek this faith. I also trained myself to get closer to the strictness and mystery of Do.
In conclusion, it is not necessary to be strong even though you practice karate-do. You want to be stronger than others because you compare your strength with others. The object of karate-do is Do, not comparing with someone else, and this Do will continue forever and ever.
Yamaguchi’s book, “Goju Ryu Karate Do Kyohan”
Very good session last night.
After completing 20 min of intense warmup (or mini workout) we trained and studied sanchin and tensho katas spending over an hour analysing the moves and performing at different levels of intensity.
Working drills in pairs, we reinforced the moves and actions to take in confrontational situations where you are about to be grabbed or punched ; and also once you have been grabbed. Very functional (and devastating) technology.
Finished the class with more sanchin and tensho.
Last week we had three very good classes exploring new drills. As usual, we started the class with an intense warm-up / workout. Although karate classes must be focused in, precisely, karate, I believe body conditioning is an essential part of any karate style which seeks for functionality where it matters the most.
We seek for excellence and excellence can only achieved with solid basics. Everything is rooted in good quality basics: standing in heiko dachi we punch over and over again until we feel the punches being delivered all the way from toes and feet, up the legs, hips and arms. Fully relaxed and accelerating you must tighten the fist just at the moment of the impact. Attention must be placed on the hikite as much as it is in the tsukite. Impossible to deliver if the hikite is not solid.
Following tsuki waza, came uri and uke waza. All in basic kihon until we started working kihon ido. Out of 14 sequences in seiwakai, we covered 5. The aim is always to perform the 14 sequences within 15 min. Seiwakai kiho ido properly trained is fully geared to kumite.
As we normally do, we covered some drills. This time it was taken from some research I’ve been doing. In line with Ian Abernethy’s practical bunkai work and Patrick McCarthy’s Koryu Uchinadi, I came across Angel Lemus’ One Minute Bunkai.
Wansu Sho #1
Wansu Sho #2
Finished the class with kata and kumite. Seiwakai kumite.
More about the principles of Seiwakai Kumite coming soon!
Congratulations to Westley Horner on his orange belt, which he passed with flying colours after a very good and hard training/grading session tonight: started with hard warm out, we covered basic kihon, kihon ido, drills and geikisai ichi numerous times. Finished the session with proper dojo kumite focusing on seiwakai techniques.
Extremely proud with Brad Candy’s karate development and performance. Brad has become a true karateka with an inquisitive mind asking the right questions.
SKA is rooted in seiwakai and seeks for functional karate yet respects and study the form as much as the function
Awesome session tonight covering fundamental seiwakai kihon.
We always start the class with a good quality warm-up. Punishing and conditioning the body. Good fitness is a must!
Learning how to punch from the toes all the way up to the fist is a challenge. Understanding and, even better, feeling that from softness and relaxation you can deliver hard punches is an art and a science.
We worked on kicks and studied the hip rotation and foot work. Whilst the novice looks at the kicking leg, the attention must be placed on the supporting leg, the footwork and the hip.
Solid techniques cannot be delivered without solid stances.
We covered some basic japanese terminology for tsuki, uchi and geri wazas, as well as dachis. Somehow I like teaching using japanese terms and is only fair a student joins them.
Finished with a slow study of geikisai ichi for low grades. Very impressed in the speed capturing the sequences of the kata. Gives more time to polish and explaining the moves.
Good session. The devil’s in the details!
Congratulations to Brad Candy for passing his Seiwakai Goju-Ryu blue belt last Sunday at the Oxford Karate Academy and graded by Shihan Paul Coleman.
Brad has been training with me for just under three years and I’m delighted to see how much his karate has improved but, more important, how much karate has become part of his life.
I couldn’t be any prouder!
“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”
― T.S. Eliot, Four Quartets
Someone asked me what was the difference between the Karate kata bunkai we were practicing and the ‘Ju Jutsu’ techniques we covered in class. The answer is very simple…. NONE AT ALL!!! And I shall try to explain why…
… In my previous post I tried to impart that Karate-Do, along with Judo, many schools of Ju Jutsu/Kempo (certainly the version I studied) and numerous other Japanese MA systems are Gendai Budo Ryuha (Modern Martial Way Schools). Have existed in their current forms for a relatvely short time, but most have a long lineage and connection to the Koryu Bujutsu Ryuha (Ancient/Old Martial Art Systems). This is certainly the case for many unarmed styles, most becoming much simplified primarily for safety reasons or specialised for purpose of competition.
Interestingly, most share a common historic legacy. Nearly all concede that their art originated in China! Certainly the history of Karate (and the Ju Jutsu system I studied) tells of Bodidharma (Darma), an Indian Buddhist Priest, who, travelling form India to the Shaolin Temple in China to train the novice monks in meditation and exercise. This would, over many centuries, develop into Shaolin Chuan-fa (Temple boxing method) and eventually emerge on Okinawa as Kempo. There has been some debate as to whether Darma introduced just breathing exercises (becoming Sanchin) or actual fighting skills. I personally believe he did both, and I will attempt to qualify this statement and then come to the point of this article.
More than a thousand years before The Buddha was born, the Greeks developed and documented 3 distinct unarmed combat systems that most modern unarmed MA are based on.
These arts were:
WRESTLING – A combat system allowing throwing, grappling, lock, hold and chokes but no striking (sounds a lot like judo).
PUGILISM – A combat system allowing any striking or blows from both hands and feet but excluding any wrestling techniques (sounds like sport Karate) and finally….
PANKRASE – A no holds barred anything goes all out fighting system (sounds like Vale-Tudo/UFC cage fighting to me).
At that time, the centre of Greek civilisation was based in what is now modern Turkey. These fighting skills spread across the Greko Empire and would of undoubtedly travelled into the Indian sub-continent where they would of blended with indigenous fighting systems that would have also existed at the time. Furthermore, images painted on the walls of the Shaolin Temple depict exponents practising MA, some with dark completions. This further underpins my belief that the fighting arts were ‘imported to’ and not ‘created by’ the Chinese.
Having developed PANKRASE, the Greeks must of realised the value of specialisation, developing WRESTLING and PUGILISM, both complex unarmed fighting systems. So here is my point. After long study of martial arts we ALL become specialists. This may not always be a conscious decision, however we are all very different and will inevitably exploit our strengths. Shihan Lipinski is recognised world-wide for his exceptional impact technology. Shihan Coleman is one of the best kickers I’ve ever seen, having versatility, accuracy and power. I have a natural aptitude for grappling and throwing. So it would be obtuse trying to emulate either of them by refusing to exploit my own advantages.
Ju Jutsu evolved from the same basic fighting art as Karate (Chuan-fa/Kempo of Chinese origin) but was developed to enable an unarmed Samurai to restrain an armed attacker, so the emphasis was on throwing, locking and restraining. All these elements are, if less exploited, within our Karate. Likewise there is striking in Kodakan Judo Kata but this is not part of the general system. These differences might be deemed ‘specialisation’ of universal principles of unarmed combat.
We are all constantly practice the 3 fundamental building blocks of Karate in an orderly and uniformed way.
KIHON – Basic movement and mobility.
KATA – Formal exercises.
KUMITE – Free-fighting practice (within the confines of safety).
But for me the most overlooked fundamental is BUNKAI. The word Bunkai is often miss-translated as the ‘application’ of Karate Kata. An application is an OYHO.
BUNKAI – To comprehend or understand
In modern Ju Jutsu, instead of practising Kata and then learning their content, exponents cut straight to the chase and practice the kata content without performing the Kata. A good example of this approach is best illustrated by Brazilian Ju Jutsu, a hybrid of Kodokan Judo with exceptional ground-fighting techniques. But the outcome of any practice should obtain a similar conclusion.
We have established that BU JUTSU represent the function and BUDO the form of Martial arts. For me, bunkai is the most valuable element of Karate as it connects the form with the function. I believe form and function are both of equal value and importance within the study of true Karate.
Kata SUPAREMPAI (key Kata of Goju Ryu) is a translation of the Chinese number 108. Hanshi Patrick McCarthy, founder of Koryu Uchinadi explains this number is related to the 108 ‘habitual acts of physical violence’ noted in ancient training manual the ‘Bubishi’. This suggest that the study of karate isn’t really about how hard we can hit or how high we can kick or even how many throws, locks or chokes we can perform. Karate’s true essence is in how well it can teach up to cope with a potential ‘108’ different attacks in order to affectively defend ourselves.
Twenty years ago the Martial arts world was turned upside-down when the UFC cage-fighting championships came into existence. This event matched exponents from every avenue of unarmed MA together in ‘NO HOLD BARRED’ contests. The first 3 championships were dominated and won by Royce Gracie, an exponent of Brazilian Ju Jutsu. What this showed the Martial Arts Community was that all the ability in the world is useless against an opponent who attacks you in a fashion you are unfamiliar with.
BUNKAI, when studied and practised correctly should enable us to understand, and therefore to cope with any kind of attack to minimise personal injury.
This for me is true self defence – true Karate.
Article written by Ben Craft, 5th Dan.